Skip to main content

The Story of Hesiod and Pandora

 Pandora is the first woman of Greek mythology.  The Greek equivalent of Eve.  Eve has an apple, while Pandora has a box.  Both the apple and the box release misery onto the world of men.  Both Eve and Pandora are punished.  Like Eve, Pandora and all of her daughters are sentenced to "experience difficult childbirth.  Having demonstrated the untrustworthiness of her gender, she--and all women yet unborn--were to be dominated by their fathers and then by their husbands." (Quote source: Shlain).

I recently began reading Cassandra Speaks by Elizabeth Lesser, a book published in 2020, with the subtitle "When Women are the Storytellers, the Human Story Changes".  Part I of the book discusses origin stories.  Chapter 1 focuses on Eve, Chapter 2 focuses on Pandora.  The quote at the beginning of Pandora's chapter is from Polly Young-Eisendrath who writes,

"Both Eve and Pandora bring death into the world.  This is a curious reversal of the fact that women bring life into the world, but it says something about the meaning of 'woman' within a religion dominated by male gods."

Pandora's story comes to us from the poet Hesiod, who was writing at approximately the same time as Homer, author of Odyssey and the Iliad.  Lesser writes, "Historians refer to Hesiod's poems as the 'Genesis' of Greek mythology."  She goes on to say, "We relate to Hesiod's words as if they flowed directly from the mouths of the gods, but Hesiod interpreted old myths and folktales from the oral tradition, changing many of them to reflect the issues of his times and to protect the privilege of the ruling, patriarchal class."

Bust of Hesiod. 
By Yair Haklai - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=93437400

I have also been rereading Leonard Shlain's remarkable bestseller from 1998, The Alphabet Versus the Goddess:  the Conflict Between Word and Image.  I first read it around Y2K and it was one of the first books that really expanded my worldview regarding religion.  Leonard Shlain was a brain surgeon who liked to travel.  In 1991 he was part of a tour of Mediterranean archeological sites guided by a University of Athens professor.  He writes, "At nearly every Greek site we visited, she patiently explained that the shrines we stood before had originally been consecrated to a female deity.  And, later, for unknown reasons, unknown persons reconsecrated them to a male one."  The tour encompassed Greece, Crete, and Ephesus on the Anatolian coast.   On the bus back to the airport he "was struck by the thought that the demise of the Goddess, the plunge in women's status, and the advent of harsh patriarchy and misogyny occurred around the time that people were learning how to read and write.  Perhaps there was something in the way people acquired this new skill that changed the brain's actual structure.  We know that in the developing brain of a child, differing kinds of learning will strengthen some neuronal pathways and weaken others.  Extrapolating the experience of an individual to a culture, [he] hypothesized that when a critical mass of people with a society acquire literacy, especially alphabetic literacy, left hemispheric modes of thought are reinforced at the expense of right hemispheric ones, which manifests as a decline in the status of images, women's rights, and goddess worship.  He spent the next seven years researching, exploring his idea, and writing the book.

About Hesiod's version of the myth of Pandora's box, Shlain writes "Pandora disobeyed the order not to open the box because she desired knowledge.  Her crime and punishment mirror Eve's in Eden.   Both stories have the same purpose:  to denigrate women, demote the Great Mother, and create a myth that enables men to dominate women.  Women must have possessed power prior to the creation of these stories, or it would not have been necessary for mythmakers to try to alter cultural perceptions."

Indeed, in Cassandra Speaks, Lesser writes, "In versions that predate Hesiod's storytelling, Pandora was not a punishment at all but rather a gift.  In fact, the name Pandora means 'all-giving.'  Earlier versions of the spoken myth, pieced together from the artwork on 5th century BCE pottery, paint Pandora as an embodiment of the fertility of the earth, a healer and a life giver."

Happily, even Wikipedia seems to be aware of this, today in 2023.  The brilliant Jane Ellen Harrision is even referenced in Pandora's Wikipedia article (she is probably also the source the Elizabeth Lesser refers to in Cassandra Speaks).  From Wikipedia:

"Jane Ellen Harrison[24] also turned to the repertory of vase-painters to shed light on aspects of myth that were left unaddressed or disguised in literature. On a fifth-century amphora in the Ashmolean Museum (her fig.71) the half-figure of Pandora emerges from the ground, her arms upraised in the epiphany gesture, to greet Epimetheus. A winged ker with a fillet hovers overhead: "Pandora rises from the earth; she is the Earth, giver of all gifts," Harrison observes. Over time this "all-giving" goddess somehow devolved into an "all-gifted" mortal woman. A.H. Smith,[25] however, noted that in Hesiod's account Athena and the Seasons brought wreaths of grass and spring flowers to Pandora, indicating that Hesiod was conscious of Pandora's original "all-giving" function. For Harrison, therefore, Hesiod's story provides "evidence of a shift from matriarchy to patriarchy in Greek culture. As the life-bringing goddess Pandora is eclipsed, the death-bringing human Pandora arises."[26] Thus, Harrison concludes "in the patriarchal mythology of Hesiod her great figure is strangely changed and diminished. She is no longer Earth-Born, but the creature, the handiwork of Olympian Zeus." (Harrison 1922:284). Robert Graves, quoting Harrison,[27] asserts of the Hesiodic episode that "Pandora is not a genuine myth, but an anti-feminist fable, probably of his own invention."

Thus was inspired my most recent painting, entitled "The Story of Hesiod and Pandora".  The story: 

Once upon a time there was an angry misogynistic man. He heard a story about the beautiful creator Goddess who brought all the good things to the world. She was the earth mother. Her name was Pandora, the giver of all things. Her festivals were joyous. This made the man jealous. But he felt powerful, because while the women had music and stories and beauty and the power to create life, he knew the alphabet and was wealthy. He inscribed on lead tablets the story of Pandora, the evil woman who brought all the bad things to the world. He felt better for a moment, but remained bitter to the end of his days. This man's words survived and were cherished by other bitter men for thousands of years. But eventually, his words were questioned and the truth of the Goddess was brought forth again. And She lived happily ever after.

The painting:


The Story of Pandora and Hesiod
The Story of Pandora and Hesiod, original painting by Echoing Multiverse, available via Saatchi Art.  Prints, stickers, and other merch available through RedBubble or Fine Art America.

Comments

Popular posts from this blog

Asherah

 An inscription from Khirbet El-Qôm (near Jerusalem) dated to the 700s BCE and translated by archaeologist Judith Hadley reads, "Uriyahu the Rich wrote it. Blessed be Uriyahu by Yahweh for from his enemies by his Asherah he has saved him by Oniyahu by his Asherah and by his A[she]rah.” ( Source ) Asherah was the Great Goddess of the Ancient Near East.  From this inscription and other evidence, it is surmised that Yahweh, the God of the Jews, once had a wife - Asherah.  Asherah was also sometimes known as Astarte and was associated with lions and the planet Venus, like her relative, Ishtar/Inanna.  Asherah's symbol was the tree of life, and her worship involved sacred groves and asherah poles.   Asherah original painting available through  Saatchi Art .  Stickers, prints, and other merch available in shop or through  RedBubble  or  Fine Art America.   All of the Asherahs in my painting are based on figurines housed in the Isra...

Sheela Na Gig and the Power of the Vagina

 The Guardian published a piece on Sheela Na Gigs for International Women's Day on Monday.  Here's a link.   A few weeks ago, I painted two Sheelas. Found on churches throughout the British Isles and Europe, Sheela Na Gigs are "figurative carvings of naked women displaying an exaggerated vulva."  There are over 100 documented examples just in Ireland.  The carvings may be remnants of a pre-Christian mother goddess.  They may also have been thought to ward off evil spirits.  They're often found over doors or windows, and they're generally smiling.   The two I have painted are from the Church of St. Mary and St. David at Kilpeck, Herefordshire, England and the Parish Church of Oaksey, Wiltshire. While I was researching the Sheelas I came across other related stories of, as the Guardian so deftly put it, "big vagina energy".  The power of women (especially the nude form) to create life, protect it, or - conversely - take it away. My favorit...

Nut

 Nut is one of the oldest goddesses in the Egyptian pantheon, Mother of Isis, Osiris, Set, and Nephthys.  She swallows the Sun every evening and rebirths it every morning.  She is the Goddess of the sky and all heavenly bodies, mother of the gods, she who holds a thousand souls.  Her fingers and toes touch the four cardinal directions, north, south, east, and west.  In her human depiction, she is represented by cat pose in yoga.   Nut original painting available through Saatchi Art .  Prints and merch available in shop or through RedBubble or Fine Art America . She is also sometimes represented as a cow, with her milk representing the heavenly river, the Milky Way.  Interesting, cat and cow poses alternate in yoga practice.  The first domestic cattle were bred from the wild aurochs. Both male and female aurochs had large horns.  Modern Texas longhorns are thought to be a relatively close relation to the aurochs.  I once slept ...

Tanit, Great Goddess of Carthage

 Tanit was the Great Goddess of Carthage.  She was the chief deity of the wealthy African port city, located on the Mediterranean coast of what is now Tunisia.  Tanit was a heavenly goddess of war, a "virginal" (unmarried) mother goddess and nurse, and, less specifically, a symbol of fertility.  She is considered to be an avatar of Astarte/Asherah/Ishtar/Inanna/Anat, and was adopted by the Romans as Juno Caelestis.  She may also be personified by legendary Etruscan queen Tanaquilo.  Additionally, like Astarte, Tanit is a Goddess of the sea and sailors. Tanit is sometimes portrayed with the head of a lion, wearing a garment made of feathers.  This fits with an identity related to the Great Mother Goddesses of the ancient Mediterranenan.  Astarte, Asherah , Ishtar, and Inanna are all associated with lion imagery.  The Burney Relief famously shows Ishtar or another Great Mother avatar with wings and feet reminiscent of a bird of prey.  Ana...

Domnu

 Domnu is a Goddess of southwest England - Cornwall.  Yesterday I heard of her for the first time.  The mother of the Dumnonii, the people who inhabited Cornwall and Devon from at least the Iron Age through the early Saxon period, her name means abyss or deep.  The depictions of her I've found are all modern and interpret this as meaning deep sea.  However, the people of Cornwall were miners.  Hello, Poldark.  Tin is one of key ingredients of bronze, and bronze age tin from Cornwall was traded throughout the ancient world.  Thus, it has recently been suggested that Domnu is not a sea goddess.  Rather, she is the goddess of the mines.  ( source ).   Domnu original painting, prints, and merch available in shop or through RedBubble or Fine Art America . And, apparently, the Goddess of the Mines interpretation has been suggested in the past as well..  I just found a reference to Domnu in a 1922 book,  Ancient Man in Brit...

Branwen, Reinterpreted

 I started painting Goddesses in December 2020 as part of a Goddess art challenge, one Goddess per day from a prompt list.  Many were new to me, so I had to research.  Branwen was Goddess #7.  Her story was mostly about her brother, Bran, as was my Branwen painting .  She ended up dead of a broken heart.  Death by patriarchy.  After I had read more feminist angles, I repainted Branwen, and referenced an article by Judith Shaw, reinterpreting her (included in link above).  It was a better interpretation than my first, but, I just read another section of The Living Goddesses by Marija Gimbutas , and I need to reinterpret her again. Branwen with her white raven, in front of Cadair Bronwen.  Original painting, prints, and merch available in shop or through RedBubble or Fine Art America . Branwen is associated with the white raven.  She is a Welsh goddess of sovereignty, and in the landscape she is represented by Cadair Bronwen, a rounded mo...