Skip to main content

The Cockatrice

 The cockatrice. One look at his face, and you will be stone. He also breathes fire.

According to Wikipedia, "cockatrice is a mythical beast, essentially a two-legged dragonwyvern, or serpent-like creature with a rooster's head. Described by Laurence Breiner as "an ornament in the drama and poetry of the Elizabethans", it was featured prominently in English thought and myth for centuries. They are created by a chicken egg hatched by a toad or snake."

If you have backyard chickens, guard their eggs.

Cockatrice original painting by Echoing Multiverse, available via Saatchi Art.


Comments

Popular posts from this blog

Asherah

 An inscription from Khirbet El-Qôm (near Jerusalem) dated to the 700s BCE and translated by archaeologist Judith Hadley reads, "Uriyahu the Rich wrote it. Blessed be Uriyahu by Yahweh for from his enemies by his Asherah he has saved him by Oniyahu by his Asherah and by his A[she]rah.” ( Source ) Asherah was the Great Goddess of the Ancient Near East.  From this inscription and other evidence, it is surmised that Yahweh, the God of the Jews, once had a wife - Asherah.  Asherah was also sometimes known as Astarte and was associated with lions and the planet Venus, like her relative, Ishtar/Inanna.  Asherah's symbol was the tree of life, and her worship involved sacred groves and asherah poles.   Asherah original painting available through  Saatchi Art .  Stickers, prints, and other merch available in shop or through  RedBubble  or  Fine Art America.   All of the Asherahs in my painting are based on figurines housed in the Isra...

Sheela Na Gig and the Power of the Vagina

 The Guardian published a piece on Sheela Na Gigs for International Women's Day on Monday.  Here's a link.   A few weeks ago, I painted two Sheelas. Found on churches throughout the British Isles and Europe, Sheela Na Gigs are "figurative carvings of naked women displaying an exaggerated vulva."  There are over 100 documented examples just in Ireland.  The carvings may be remnants of a pre-Christian mother goddess.  They may also have been thought to ward off evil spirits.  They're often found over doors or windows, and they're generally smiling.   The two I have painted are from the Church of St. Mary and St. David at Kilpeck, Herefordshire, England and the Parish Church of Oaksey, Wiltshire. While I was researching the Sheelas I came across other related stories of, as the Guardian so deftly put it, "big vagina energy".  The power of women (especially the nude form) to create life, protect it, or - conversely - take it away. My favorit...

Jowangsin

 Jowangsin is a Korean Goddess of fire and the hearth.  An offering to Jowangsin in the form of a bowl of fresh water would be placed on an altar above the hearth.  Jowangsin had rules for the kitchen.   Do not curse while in the hearth. Do not sit on the hearth. Do not place your feet on the hearth. Maintain the cleanliness of the kitchen. You may worship other deities in the kitchen. ( source ) Throw your muddy shoes inside or put them on the hearth, and you will experience her vengeance.  She was believed to keep track of household activities and communicate with the heavens. Jowangsin helping with the cooking in a traditional Korean kitchen, circa 1950.  Original painting, prints, and merch available in shop or via Fine Art America  or Saatchi Art . Left: Women in a kitchen in Korea in 1950. Right: An example of a traditional kitchen in hanok (traditional Korean-style homes) during the Joseon Dynasty (1392-1910). [National Archives of Korea, N...

Tanit, Great Goddess of Carthage

 Tanit was the Great Goddess of Carthage.  She was the chief deity of the wealthy African port city, located on the Mediterranean coast of what is now Tunisia.  Tanit was a heavenly goddess of war, a "virginal" (unmarried) mother goddess and nurse, and, less specifically, a symbol of fertility.  She is considered to be an avatar of Astarte/Asherah/Ishtar/Inanna/Anat, and was adopted by the Romans as Juno Caelestis.  She may also be personified by legendary Etruscan queen Tanaquilo.  Additionally, like Astarte, Tanit is a Goddess of the sea and sailors. Tanit is sometimes portrayed with the head of a lion, wearing a garment made of feathers.  This fits with an identity related to the Great Mother Goddesses of the ancient Mediterranenan.  Astarte, Asherah , Ishtar, and Inanna are all associated with lion imagery.  The Burney Relief famously shows Ishtar or another Great Mother avatar with wings and feet reminiscent of a bird of prey.  Ana...

The First Known Artists were Women

 In 2013, Dean Snow of the University of Pennsylvania published research on sexual dimorphism of hand prints present in Upper Paleolithic cave art.  His analysis showed that the overwhelming majority of hand prints present in the European cave art analyzed belonged to women ( source ).  Marija Gimbutas and others write that in Old European religion caves represented the womb of the earth Goddess.  Women, in the womb of the Earth Mother, creating artwork at the dawn of time.  The Creator creating creators, matrilineally. The Creator original painting.   Blogger Art Chester writes, "There is also an indirect argument based upon observations of modern primates.  Blogger Greg Laden, who studied with Prof. Snow at Penn State, states that when you study chimpanzees, you find that the males are virtually technophobes: 'Virtually all chimp technology is used by females, invented by females, passed from female to female, and so on.  Males don’t seem ...

Athena

 I painted Athena in December 2020 as part of a Goddess painting challenge, at the very beginning of my deep-dive into Goddess traditions.  I painted her as a mean girl, inspired by Regina George.  I had never liked Athena, and the result was an unflattering portrait. Athena, the Mean Girl, original painting by Echoing Multiverse, December 2020 Inspiration:  The pop culture Mean Girl, Regina George My perception of Athena was based on the story of her punishment of Medusa.  I had recently seen a YouTube video from Medusa's perspective.  I wasn't yet aware of the complexity of Greek mythology, especially with respect to representations of the divine feminine.  Later I learned that this story of Medusa was written by Ovid, a Roman poet, around 8 AD, well after the classical period of Greek mythology. From Robert Graves, I read that Plato identified Athene with the Libyan Goddess Neith, "who belonged to an epoch when fatherhood was unrecognized...Virgin...