Skip to main content

Sheela Na Gig and the Power of the Vagina

 The Guardian published a piece on Sheela Na Gigs for International Women's Day on Monday.  Here's a link.  A few weeks ago, I painted two Sheelas.

Sheela Na Gig

Found on churches throughout the British Isles and Europe, Sheela Na Gigs are "figurative carvings of naked women displaying an exaggerated vulva."  There are over 100 documented examples just in Ireland.  The carvings may be remnants of a pre-Christian mother goddess.  They may also have been thought to ward off evil spirits.  They're often found over doors or windows, and they're generally smiling.  

The two I have painted are from the Church of St. Mary and St. David at Kilpeck, Herefordshire, England and the Parish Church of Oaksey, Wiltshire.

While I was researching the Sheelas I came across other related stories of, as the Guardian so deftly put it, "big vagina energy".  The power of women (especially the nude form) to create life, protect it, or - conversely - take it away.

My favorite was the story of a group of women in Nigeria in 2002 who successfully won concessions from Chevron Oil using nothing but the threat of big vagina energy.

Chevron, Niger Delta, women, apotropaic, threat of nudity, curse, vagina power, protest
On July 8, 2002, 600 Niger Delta women took over the largest oil production facility in Nigeria.  For ten days, unarmed, they stopped the production of 500,000 barrels of oil per day from Chevron, one of the wealthiest and most powerful corporations in the world, by threatening to strip naked in public.  Mothers stripping naked is a powerful curse in Nigeria.  The security forces refused to touch the women.

According to anthropologist Terisa Turner, "We come into the world through the vagina.  By exposing the vagina, the women are saying: 'We are hereby taking back the life we gave you.'  It's about bringing forth life and denying life through social ostracism, which is a kind of social execution.  Men who are exposed are viewed as dead.  No one will cook for them, marry them, enter into any kind of contract with them or buy anything from them."

Sheela Na Gig, Kilpeck ChurchThe women's threat was successful.  After ten days they won an agreement from Chevron to hire villagers and to build schools and water systems.

Sheela Na Gig, Oaksey Church

Do you need some vagina power?  Sheela stickers and other merch are available:  Redbubble, Fine Art America, Saatchi Art Gallery.






Comments

  1. I wrote a Sheela Na Gig post after the Portland woman spread her legs against the line of police during the protests last summer; I couldn't help but see a parallel. https://www.newenglandbard.com/post/the-protester-and-the-power-of-ancient-ireland

    ReplyDelete
    Replies
    1. Yes! I planned on painting her as part of a series, but I got distracted. Total parallel.

      Delete
    2. Great blog post! I love that you interviewed an expert. I should someday try that. Thanks for the idea.

      Delete

Post a Comment

Popular posts from this blog

Asherah

 An inscription from Khirbet El-Qôm (near Jerusalem) dated to the 700s BCE and translated by archaeologist Judith Hadley reads, "Uriyahu the Rich wrote it. Blessed be Uriyahu by Yahweh for from his enemies by his Asherah he has saved him by Oniyahu by his Asherah and by his A[she]rah.” ( Source ) Asherah was the Great Goddess of the Ancient Near East.  From this inscription and other evidence, it is surmised that Yahweh, the God of the Jews, once had a wife - Asherah.  Asherah was also sometimes known as Astarte and was associated with lions and the planet Venus, like her relative, Ishtar/Inanna.  Asherah's symbol was the tree of life, and her worship involved sacred groves and asherah poles.   Asherah original painting available through  Saatchi Art .  Stickers, prints, and other merch available in shop or through  RedBubble  or  Fine Art America.   All of the Asherahs in my painting are based on figurines housed in the Isra...

Nut

 Nut is one of the oldest goddesses in the Egyptian pantheon, Mother of Isis, Osiris, Set, and Nephthys.  She swallows the Sun every evening and rebirths it every morning.  She is the Goddess of the sky and all heavenly bodies, mother of the gods, she who holds a thousand souls.  Her fingers and toes touch the four cardinal directions, north, south, east, and west.  In her human depiction, she is represented by cat pose in yoga.   Nut original painting available through Saatchi Art .  Prints and merch available in shop or through RedBubble or Fine Art America . She is also sometimes represented as a cow, with her milk representing the heavenly river, the Milky Way.  Interesting, cat and cow poses alternate in yoga practice.  The first domestic cattle were bred from the wild aurochs. Both male and female aurochs had large horns.  Modern Texas longhorns are thought to be a relatively close relation to the aurochs.  I once slept ...

Tanit, Great Goddess of Carthage

 Tanit was the Great Goddess of Carthage.  She was the chief deity of the wealthy African port city, located on the Mediterranean coast of what is now Tunisia.  Tanit was a heavenly goddess of war, a "virginal" (unmarried) mother goddess and nurse, and, less specifically, a symbol of fertility.  She is considered to be an avatar of Astarte/Asherah/Ishtar/Inanna/Anat, and was adopted by the Romans as Juno Caelestis.  She may also be personified by legendary Etruscan queen Tanaquilo.  Additionally, like Astarte, Tanit is a Goddess of the sea and sailors. Tanit is sometimes portrayed with the head of a lion, wearing a garment made of feathers.  This fits with an identity related to the Great Mother Goddesses of the ancient Mediterranenan.  Astarte, Asherah , Ishtar, and Inanna are all associated with lion imagery.  The Burney Relief famously shows Ishtar or another Great Mother avatar with wings and feet reminiscent of a bird of prey.  Ana...

The First Known Artists were Women

 In 2013, Dean Snow of the University of Pennsylvania published research on sexual dimorphism of hand prints present in Upper Paleolithic cave art.  His analysis showed that the overwhelming majority of hand prints present in the European cave art analyzed belonged to women ( source ).  Marija Gimbutas and others write that in Old European religion caves represented the womb of the earth Goddess.  Women, in the womb of the Earth Mother, creating artwork at the dawn of time.  The Creator creating creators, matrilineally. The Creator original painting.   Blogger Art Chester writes, "There is also an indirect argument based upon observations of modern primates.  Blogger Greg Laden, who studied with Prof. Snow at Penn State, states that when you study chimpanzees, you find that the males are virtually technophobes: 'Virtually all chimp technology is used by females, invented by females, passed from female to female, and so on.  Males don’t seem ...

Athena

 I painted Athena in December 2020 as part of a Goddess painting challenge, at the very beginning of my deep-dive into Goddess traditions.  I painted her as a mean girl, inspired by Regina George.  I had never liked Athena, and the result was an unflattering portrait. Athena, the Mean Girl, original painting by Echoing Multiverse, December 2020 Inspiration:  The pop culture Mean Girl, Regina George My perception of Athena was based on the story of her punishment of Medusa.  I had recently seen a YouTube video from Medusa's perspective.  I wasn't yet aware of the complexity of Greek mythology, especially with respect to representations of the divine feminine.  Later I learned that this story of Medusa was written by Ovid, a Roman poet, around 8 AD, well after the classical period of Greek mythology. From Robert Graves, I read that Plato identified Athene with the Libyan Goddess Neith, "who belonged to an epoch when fatherhood was unrecognized...Virgin...